Sunday, May 30, 2010

Setting Up A Booth

Where to start?? I've been doing booth shows for about six years, which makes me a relative newbie at it, believe it or not, so I'm not an expert by any means. I really eased into it, first doing a few local shows, just getting my feet wet, literally and figuratively! We had a minivan then, to transport both the art  and the booth/display set-up. Now we have a full size Sprinter!!

Doing a booth show is pretty complex and has many facets to touch on, including equipment, the product, salesmanship, promotion, traveling logistics, entry strategies etc, etc. For this post, I'm going to focus primarily on equipment, 'cause you can't even start without it.

Here are the primary considerations we take into account when we are planning out our booth set-ups:

  1. Booth need to be water-tight

  2. Needs to be wind-proof

  3. Be secure at night

  4. Be inviting for your clients

  5. Be functional for sales

  6. Be modular - fit in a variety of situations

  7. Be well illuminated - electricity if you can get it and/or need it

  8. Take care of yourself


1) My very first booth show was Art in the Pearl many years ago. I borrowed an E-Zup tent from a friend and bought some white grid panels to display the work. All was just fine until it rained and I realized I'd attached the grids to the very edge of the EZ-up and the rain ran straight down the backs of my pastels. YIKES!! Rookie mistake. It was very clear that having a water-tight tent is imperative if your work is in any way susceptible to water damage,(most art and water don't mix too well).

I have a Light Dome Canopy made by Creative Energies. It is easy to set-up and take down. I can do it by myself, although I don't usually have to. It is more expensive than an EZ-up but has proven to be worth the investment and then some. They make a couple different canopies. Mike has the Finale which is taller and a little more difficult to set-up. You need a step ladder to do it. It looks good, but I would have a hard time managing it by myself. He can do it alone, but he's taller! If you purchase a canopy, be sure to order it with the zippers for awnings if you want them!

We bring 2x4's to the show to set all the equipment on, so it's not sitting directly on grass or cement. Grass tends to cause condensation  at night and can dampen cardboard boxes and rain makes cement and grass a mess. 

2) It's wise to find out what kind of surface the booth will be set-up on. If you are on grass, can you stake in? Many shows don't allow this even if you are on grass due to irrigation systems. If you are on concrete, or grass where you can't stake in, you'll need to have weights. THIS IS VERY IMPORTANT!!! Many artists make weights by filling PVC piping with cement and inserting a large "o" bolt into the top. We made these, PLUS we purchased iron weights from and outfit in Dripping Springs, Colorado that makes weights that are 70 lbs. each and are slim and square. There is another outfit that makes weights called Happifeet, which some artists have said are great. Secure the weights to the booth with straps on each corner and then either duct tape the weights to each of the four corner poles or better yet use small bungy cords. YOU NEED TO HAVE WEIGHTS. Don't take chances with your booth and everyones around you. After doing La Quinta(very windy) and Des Moines(micro burst storms) we put two sets of weights on each corner.


3) Make sure you can close up your tent completely at night. If your booth is not secure, you'll will be asking to be the one to get vandalized or robbed. Think carefully about what you leave in it at night. Take all your credit card info and receipts, checks, cash with you. Be careful about walking to your car and or hotel after the show. If you're doing the show alone, try to coordinate with another artist, so you're not leaving the site alone.

4) After you have your tent very secure and ready for any weather, you still need to make it inviting for your clients. We try to take into consideration each site, so we set up differently at different shows, depending on what categories we've been accepted in and what the site is like. Is it level, do we have room out the back?Sometimes we'll know ahead of time, sometimes, not.While we want to maximize the display space, we try not to overcrowd it with work and make it inviting. We try to group the work, so it make sense if we are showing a couple different collections of work. We also want to be able to see who is in the booth and make sure we can say hello. We try to make room for a place to sit that is out of the way of the entrance, but where we can still see our clients, not to spy on them, but to make sure they are welcomed and their questions are answered. This can be tricky if weather is an issue, since you don't have as much room. We try to keep the set-up as open as possible while still displaying enough work.



5) Doing a booth show is like camping on steroids. You have to bring a lot of stuff. It's my least favorite part of doing the shows, but if you get organized, it's not so bad. You need to have a place to make the sale, and the equipment to do so. The place can be simple like your chair and a clipboard or more fancy like a desk. I highly recommend taking credit cards. Most people want to pay with them. Setting up a merchant account and using an old school method like a knuckle buster isn't doesn't cost much. If you use a satellite machine, it does cost some bucks, but we've found it to be a worthwhile investment. We have peace of mind that each credit card we run is approved and our customers don't have to worry that their credit card info is floating around at an art festival. You have to have a place to wrap up the work. That can be pretty simple too, like small folding table at the back of your booth. You need to have easy access to all the things you need for a sale, tape, bags, wrapping material, receipts etc.

6) We use small plastic bins to organize everything. They're great since they stack, they're not too heavy when full, you can see inside them, and they can get wet. We have wooden cases to store the art in the truck and in the booth at night if bad weather is threatening. Yes, they're heavy, but that's part of what is good about them. The have wheels so they are slightly off the ground. You just have to find out what works for you. I haven't found the exact balance of having everything I want and need at the show and feeling uncluttered by the "stuff", but I think I'm getting there.


7) If the show hours run into the evening and the show offers electricity, we always get it even if it costs extra. I don't want to be the only booth in my row with no one in it, because my booth is dark. Some sites are under the canopy of trees and can be dark, even during the day, so lights are a plus. Most shows have a limit on wattage per artist allowed. Make sure your lights and extension cords are safe.

8) Doing a booth show is a lot of physical work and mental energy. Make sure you bring sunscreen, lots of drinking water, a hat, a rain shell, a warm jacket etc. Plan for your own comfort. Bring healthy snacks since artist hospitality sometimes is lacking in the healthy department. Don't forget to eat and take a couple short breaks. The hours can be long and you can find yourself hungry and worn out if you don't pay attention to yourself a bit. Most importantly, bring your sense of humor and lots of patience!

Sunday, May 23, 2010

More Prizes

Well, I don't really like to toot my own horn too much on my blog, but.......


Pastel Painters of Maine Host 11th International Juried Exhibition

The Pastel Painters of Maine, PPOM, is hosting their 11th International Juried Exhibition ‘For Pastels Only’ at the Brick Store Museum, 117 Main St. Kennebunk, Maine.  This special exhibition and sale will display works of pastel artists from the United States and Canada.

West Linn artist Marla Baggetta has won 3 awards for her 3 paintings accepted into the exhibition.  Marla was the only artist to have all 3 of her entries accepted. 
Marla won 4th place for her painting "By the Nursery", 6th place for "Enchanted in the Afternoon" and 9th place for "In the Studio".  Congratulations Marla!

The opening reception and awards ceremony took place on  Saturday, May 22 from 4-6pm, the public is invited.  The juror of awards was Bill Creevy, PSA master, who awarded over $5000. in prizes. 

There were 228 entries submitted by 86 artists, representing 18 states and Canada.  Of these, 60 pieces by 53 artists were selected by the juror of selection Frank Federico, PSA Master.  Mr. Federico states of the submissions, "It is never an easy task to reduce so many creative pieces of art to a useful exhibit count.  There are many worthy works and selection was based on uniqueness and imaginative but cohesive design elements.  A very good show!"

The Pastel Painters of Maine was established in 1999 by a group of Southern Maine artists interested in soft pastels. The mission of PPOM is to promote the medium of soft pastel, to unite local and regional artists, and to heighten the public’s awareness of the medium. Since its founding, membership has grown to over 160 with members from throughout the US and Canada.

Member shows are held annually. Regular “paint outs” are offered as well as life painting groups. Membership is $25.00 per year, which includes the newsletter.
For further information about the Pastel Painters of Maine and the 11th International Juried Exhibition please contact Caren-Marie Michel at cmichel@maine.rr.com or visit the website at www.pastelpaintersofmaine.com.


Here are the three pieces. That was pretty nice. I must admit! Thank you to the nice folks at Pastel Painters of Maine for the nice phone call, the press release and your good wishes!!


Friday, May 21, 2010

Awards, Friends & Food

Mike and I just returned from Belleville, IL last night. We've got some money in our pockets, stories to tell and calories to burn! We arrived in Belleville to rain and quite a bit of it. On the first night we stopped into a local restaurant/ bar that we'd remembered from last year. We didn't remember the name or exactly what street it was on, but we went by feel and eventually came upon it. It's called "Seven" and is on High Street off of Main in downtown Belleville. Once the waitress found out we were artist's in town for the show, we got the royal treatment. It was fantastic. A little later into our evening the owner, Brian stops and sits with us and we made fast friends with him and his staff. What a great night.

Friday morning we set to work on setting up the booths. It rained a little, but not until, we had the canopies up and had some cover. It was fairly warm and got warmer as the day progressed. Around noon, our good friend and Art Center buddy, Bryan Haynes showed up to help us set up. He lives about and hour away from Belleville in St. Albans, MO. Bryan is a wonderful and accomplished muralist/illustrator. We got all set up in time to make a quick trip back to the hotel to change and a stop into the Irish pub before the show opened at 5pm. It was a lovely evening with an appreciative crowd and a good start on sales.

Saturday morning we were met with nice weather. As the day progressed, rain threatened and Mike put up the back awning to give us some shelter. It was a long day, but we made our way over to the student art exhibit after the show and were glad we did. For dinner we went to a lovely place called the Wine Tap where we received the same warm and appreciative welcome from the staff that we had the previous night. Mike and I enjoyed ourselves a bit too much and stayed up way past our bedtime.

Sunday morning Mike and I decided the previous evening had gotten the better of us and so we choose to skip the awards breakfast. Big mistake!! Mike won best of category which came with a cash award of 1500.00 and I won an award of excellence which came with a 500.00 cash award. We were pretty embarrassed and of course got plenty of ribbing from our fellow artists. We were honored to have won and disappointed that we didn't go! We were watching the satellite all day and hoping the rain would hold off until after take-down. The worst thing is to pack up a wet canopy and equipment. When the time came, the artist's next to us were kind enough to grab us a pass to move our truck on site. That was great! Mike and I had a pretty good handle on things, but the weather was not looking good. When we still looked like we had maybe 30 to 40 minutes of loading to do, Brian and his fiancee from the restaurant showed up and said, "we're here to help". We put them to work and they were great!! We got everything in the truck just in time before heavy rain hit. It was amazing and heartwarming!! Thanks Brian and Heidi! After all was said and done we had the pleasure of having dinner with Carla & Dave Fox, our friends from Oregon. Wow, was that all soooo great!

An the fun didn't stop there. The next morning after a little repacking of the Sprinter we headed to Bryan & Petra Haynes' in St Albans. We went on a short hike through a preserve area that was rife with wildflowers, then a lovely dinner with their kids. We ate at a restaurant that had one of Bryan's murals his work was on the walls too. It looked great. He's a celebrity in his town!

It was a terrific trip all around, but of course we are very glad to be home too! Now we get ready for the next leg of our trip. Back to Chicago!!

Friday, May 7, 2010

Organizing Your Butterflies

We're getting set to load the van for our multi-state, multi-show road trip/airline trip. With work going into the Sprinter for Santa Fe, Belleville, IL, Chicago, IL and Fish Creek, WI, we've been pretty busy this week! This is a lesson in doing your very best, then letting go. You just can't organize your butterflies, you have to relish them and just experience them, appreciate their beauty and know you just can't harness them.

My paintings, my family, my friends, my moods are just some of my butterflies. The trick is to keep your eye on the beauty of them and not get frustrated by their elusive nature. They are beautiful and of course, ever changing. They are complex, magical and they are quick! Gotta love those butterflies. They come in all shapes and sizes too.


My latest butterfly: 25 x 25 pastel on paper. Contact me for pricing. It's in a beautiful simple frame!